Monday, April 30, 2012

The Scarlet Letter- 10

"She had returned, therefore, and resumed,—of her own free will, for not the sternest magistrate of that iron period would have imposed it,—resumed the symbol of which we have related so dark a tale. Never afterwards did it quit her bosom. But . . . the scarlet letter ceased to be a stigma which attracted the world’s scorn and bitterness, and became a type of something to be sorrowed over, and looked upon with awe, and yet with reverence, too." (page 202)

Similar to the previous passage, the sense of empowerment and overcoming obstacles is the basic way to sum up the last chapter of the book. We, as readers are left with Hester being a hero in a way. Through the entire book, Hester is regarded as a sinful woman who struggles to make her true personality known. However, it is evidences through Hester returning back home and her continuing to wear the scarlet letter, that she is not ashamed of who she is. Rather than being ashamed, Hester knows that her past is a part of her, but she wants to move forward. A theme of forgiveness that accompanies the theme of sin is present in this very action. To me, I thought that ending the book with a courageous Hester, was the best way to make the upsetting tale surprisingly inspiring and uplifting.

The Scarlet Letter 9

"But there was a more real life for Hester Prynne here, in New England, than in that unknown region where Pearl had found a home. Here had been her sin; here, her sorrow; and here was yet to be her penitence." (page 202)

The final chapter of The Scarlet Letter shows what Hester has faced in her time at home. Now, Hester is ready to move forward and escape the judgments and make a new name for herself. Rather than using the scarlet letter as a symbol of shame, Hester proves it to be a symbol of her character. I am struck by Hester's courage in the face of so much adversity. Yes, it was her fault to commit the sin, but she continued to change the rules of society by showing to everyone how they could not bring her down. I think that Hester shows to a lot of people in New England who exactly she is and who she is not. Despite everyone's harsh opinions, she is determined to be herself and show everyone the true Hester. The real personality and real life of Hester Prynne is made known.

The Scarlet Letter 8

"The scarlet letter was her passport into regions where other women dared not tread. Shame, Despair, Solitude! These had been her teachers,—stern and wild ones,—and they had made her strong, but taught her much amiss." (page 154)

Again, the theme of sin pops up towards the end of the book. In a reconnecting conversation with Dimmesdale, Hester and Dimmesdale decide to go to Europe together with Pearl. The scarlet letter truly proved to be her "passport" to another world of shame, despair and solitude. The scarlet letter, her sin, pushed her away from the rest of society. The shame, despair, and solitude in which she lived her life for the past years, taught her a lot about who she is and about her mistakes. Her sin also led her to alienation from everything else. However, in this chapter, we as readers truly get a since of companionship between the narrator and Hester. The narrator seems to be proud of Hester for handling everything the way she has. I think the narrator admires Hester for her courage and longs to do the same thing in his life.

The Scarlet Letter 7

“Mother,” said little Pearl, “the sunshine does not love you. It runs away and hides itself, because it is afraid of something on your bosom. . . . It will not flee from me, for I wear nothing on my bosom yet!” “Nor ever will, my child, I hope,” said Hester. “And why not, mother?” asked Pearl, stopping short. . . . “Will it not come of its own accord, when I am a woman grown?” (page 141)

This quote explains the significance of the scarlet letter and the effect of sin in the daily life of all of the main characters. Pearl notices the "lack of sunshine in her mother’s life" and how it has to do with the scarlet letter. Pearl, as a little girl cannot understand the significance of the scarlet letter and what it means to Hester. However, Pearl can understand that the lack of sunshine in her mother's life is caused by something, and she makes the assumption that it is due to the scarlet letter. Pearl thinks that all women must wear the scarlet letter, but Hester informs her that she wishes and hopes this will not be the case. This shows that Pearl, as a immature, yet observable character, thinks that the letter, which represents sin, is simply a part of every human being.

The Scarlet Letter 6

"The whole universe is false, it is impalpable, it shrinks to nothing within his grasp. And he himself, in so far as he shows himself in a false light, becomes a shadow, or indeed, ceases to exist." (page 112)

In chapter 11, the reader finds out for certain that Dimmesdale is the father of Pearl. As a minister and a moral man, it is evident through the entire chapter that Dimmesdale is suffering. However, through his suffering, he is inspired to preach about sin. does inspire him to deliver some of his most powerful sermons, which focus on the topic of sin. Dimmesdale faces an internal struggle and as a result he begins to see visions. Then, Dimmesdale begins to physically torture himself. He whips himself, he fasts, and stays up all night thinking about his wrongdoings. stays awake throughout the night meditating upon his sin. I think that this entire chapter is personifying the theme of sin throughout this entire book. The standards of the society in which Hester and Dimmesdale live and their failure to live up to those standards have serious affects on them and their daily lives. In turn, this affects the entire story line.





Monday, April 23, 2012

The Scarlet Letter- Introductory

“A writer of story-books! What kind of a business in life,—what mode of glorifying God, or being serviceable to mankind in his day and generation,—may that be?" (page 6)

When I first started reading this book, I didn't read the introduction because I didn't think it was important. But, I went back after I finished reading the first half and read it again. The introduction is actually very important because it explains the narrator and why he is writing. I found a similarity between Hester and the narrator. The narrator, as evidenced by this quote, is influenced by society. According to society, writing books is of no use and does not "glorify God". Much like this, Hester is driven by society and their judgments of her. Hester is trying to find herself and who she is among all of the other trials in her life. Similarly, the narrator is trying to find who he is and his purpose for writing. The narrator longs to figure our his place in society. This explains to the reader what the motivation behind the story is and adds a bit of realism to the story as well. 

The Scarlet Letter- Dimmesdale's weakness

"But with what a wild look of wonder, joy, and horror! With what a ghastly rapture, as it were, too mighty to be expressed only by the eye and features, and therefore bursting forth through the whole ugliness of his features, and therefore bursting forth through the whole ugliness of his figure, and making itself even riotously manifest by the extravagant gestures with which he thew up his arms towards the ceiling, and stamped his foot upon the floor!" (page 106)

Chapters 9 and 10 show a relationship forming between Dimmesdale and Chillingworth. Throughout these chapters, information on both character is made known to the readers. Most importantly, Dimmesdale's internal and external suffering is made known. To Chillingworth, Dimmesdale's behavior and reasoning causes him to be suspicious and he begins to raise questions. While Dimmesdale is asleep, Chillingworth sneaks up to Dimmesdale and pushes aside the shirt that Dimmesdale is wearing. What he sees on Dimmesdale’s chest causes the doctor to rejoice. It is unknown to the reader as to what Chillingworth is responding to. As a reader, one can infer that Dimmesdale and his external and internal sufferings are linked together. Chillingworth has begun to decipher what is the root of his sufferings. As a reader, we can speculate that it has to do with Hester as well and Dimmesdale could possibly be the father of Pearl. The reader is left at the edge of their seat by the end of chapter 10.

The Scarlet Letter- Hester's characterization

"Hester Prynne, therefore, did not flee. On the outskirts of the town, within the verge of the peninsula, but not in close vicinity to any other habitation, there was a small thatched cottage. It had been built by an earlier settler, and abandoned, because the soil about it was too sterile for cultivation, while it comparative remoteness put it out of the sphere of the social activity which already marked the habits of the emigrants." (page 61)

One aspect in the first half of the novel that stood out to me was the fact that Hester decides to stay in Massachusetts when she is released from prison. Hester, who has faced humiliation and has suffered immensely, decides to stay. To me, this says a lot about Hester's character. Hester chooses to stay but also secludes herself from everyone else. Hester truly feels guilt from her past mistakes and is an example for all of a woman who has been struggling. Despite her alienation and continuous judgement from her neighbors, Hester continues to stay firm in her decision to stay. Hester proves to be determined to prove to herself rather than her neighbors. Rather than running away from the judgments, Hester stays and shows her strength and true character. Personally, I think that this simple action really defines Hester and what she will continue to do in the rest of the novel.

The Scarlet Letter- Pearl & A

"Pearl was a born outcast of the infantile world. An imp of evil, emblem and product of sin, she had no right among christened infants. Nothing was more remarkable than the instinct, as it seemed, with which the child comprehended her loneliness; the destiny that had drawn an inviolable circle round about her; the whole peculiarity, in short, of her position in respect to other children." (page 70)

I think it is somewhat ironic that Hester is forced to wear the A at all times as if her own child isn't enough proof of her past sins. Hester knows of her sins when she sees her daughter, but at the same time, Pearl serves as Hester's hope and consolation in the midst of trials. To me, I think that Pearl and the scarlet letter function similarly at times. Both the letter and Pearl are symbols of Hester's shame and sin. Because of her sins, Hester has become alienated by everyone. However, Pearl is her companion at these times as well. Similarly, the scarlet letter A is a curse in the sense that it reminds Hester of her past faults. Yet, the beautiful scarlet letter she sewed, brings Hester to her talents of sewing for others. Both the scarlet letter and Pearl serve as similar symbols in Hester's daily life.

The Scarlet Letter- Suspense

"'Speak; and give your child a father!'
'I will not speak!' answered Hester, turning pale as death, but responding to this voice, which she too surely recognized. 'And my child must seek a heavenly Father; she shall never know an earthly one'" (page 51)

A common mood introduced in the beginning chapters is suspense. In the first chapters, the reader is introduced to Hester Prynne and is given the background on her story and situation. Hester, as an adulterer, is forced to wear an A signifying to all of her wrongdoings. Much like the reader, all of the individuals in the story long to know who is the father of Hester's daughter, Pearl. I suspect that the suspense of who the father is will serve as a main driving force in the plot.The suspicion of who the father of Pearl has continued to grow to the points of the book in which I have read thus far. Furthermore, Hester's character is shown through her ability to not give into the pressures of telling others of who the father of her child may be. Hester is a strong, independent woman, who does not seem to be influenced by others. I think this character trait of independence and courage is one of the many great aspects to Hester's character.

Wednesday, April 11, 2012

Frankenstein- Walton

"'Are you mad, my friend?' said he; 'or whiter does your senseless curiosity lead you? Would you also create for yourself and the world a demoniacal enemy? Peace, peace! learn my miseries, and do not seek to increase your own" page 156

By the end of the book, after I was depressed about everyone dying in the end, I began to wonder about Walton. I wondered if Walton really learned anything from what Victor had told him and what he encountered with the creature. Walton, much like Victor, was very much entrapped in his work and what he longed to discover. However, Victor continually warned him of the evils and dangers of obsessing over work and especially science. When Walton asks Victor to explain to him how he created the monster, it just does not appear as if Walton truly understands the gravity of everything that has happened. I think that it took seeing the creature face to face and encountering Victor's death for him to truly realize how dangerous science can be.

Frankenstein- The End

"He sprung from the cabin window, as he said this, upon the ice raft which lay close to the vessel. He was soon borne away by the waves ,and lost in darkness and distance." page 166

To be honest, I was really disappointed with how the book ended. From the very moment Walton sees Victor and takes him on board and also sees the creature of a "gigantic stature" I was expecting an intense scene with Victor and the creature. However, this did not happen. Instead, out of misery and poor health and rampant monster murderers, everyone in this book dies. Although it did not have the action or intensity that I expected to occur, I thought of a theme that Mary Shelley may have been trying to portray. Extremes of anything in life are not good. For Victor, his extreme obsessiveness with his creation turned out badly. The creature obsessing over trying to find happiness and love through other people failed and he ended up hating humanity. In our world, it is very easy to become engrossed in certain things and not focus on anything else. But, as this novel shows, it is imperative that we focus on other things and realize everything that the world has to offer. Without this, awful things can happen and we could end up like Victor and the creature and be unhappy, scared, and become people we are not.

Frankenstein- Protagonist

"My heart was fashioned to be susceptible of love and sympathy, and when wrenched by misery to vice and hatred, it did not endure the violence of the change without torture such as you cannot imagine." page 208

When describing his circumstances to Walton, the creature states that he was endowed by his nature to be sympathetic and loving. It was his lack of nurture that made him become full of misery, hatred, and violence. Even though I questioned the creature at times, I think that he was the protagonist of the book. Victor, as the creature's creator, abandoned him and left him to a world of solitude in which everyone else was disgusted by him as well. I put myself in the creature's position and I begin to feel that if I had been rejected and abandoned to the extent in which he was, I would have a lot of hatred in my heart as well. He is a gentle and kind creature until humanity exposes him to hate and rejection. Through his constant struggles and then his murders, he drives the action of the novel. The reader is continually trying to figure out what the creature is going to do next. Although he commits very wrong acts, the creature is noted to be struggling with an internal conflict of good and evil. To me, this represents a very human characteristic in which we all deal with in our lives.

Frankenstein- I don't understand you, Victor

"'I will be with you on your wedding night.' Such was my sentence, and on that night would the daemon employ every art to destroy me, and tear me from the glimpse of happiness which promised party to console my sufferings. On that night he had determined to consummate his crimes by my death. Well, be it so." page 139

Although Victor cannot foresee that the creature is actually planning to kill Elizabeth, I was seriously questioning Victor and his character at this moment. Obviously, he is fearful of the creature and his "impending" death just as anyone would be. However, not once does Victor mention how his death may affect all of the people around him who love him, especially Elizabeth. He does not know that the creature will kill Elizabeth, but he does not think of how his own death may affect Elizabeth. Then, to make things worse, Victor agrees to marry Elizabeth even though he is certain of the creature killing him on the night of his wedding. If I were in Elizabeth's position I would be absolutely crushed to find out that my husband was murdered. Yet, Victor doesn't seem to think about how his death would be hard on Elizabeth, especially seeing how hard William's death was for her. Also, he does not consider his father or brother during this period either. Instead, he still remains in secrecy about his creation and accepts his fate. To me, this was a very negative aspect of Victor's character.

Frankenstein- Sympathy

"Suddenly, as I gazed on him, an idea seized me that this little creature was unprejudiced and had lived too short a time to have imbibed a horror of deformity. If, therefore, I could seize him and educate him as my companion and friend, I should not be so desolate in this people earth." page 136

The last blog I wrote about was talking about how I began to sympathize with the creature. This extended even more into the second half of the book. I had this preconceived notion at the beginning of this book that the monster was intrinsically evil, just as Victor thinks he is. However, I have started to really sympathize for the creature. He simply wants to have someone in his life that doesn't judge him but will talk to him and love him. The things that the creature wants are things that we, as humans, strive to have as well. The monster, although he is not human, has very human emotions and feelings. Also, just as humans do, he continually struggles with humanity's evil side. Through the constant rejection and disgust the creature receives from everyone he encounters, he begins to perceive the world differently and in response, he changes. The world around him and the people around him made him into the evil, harmful, disgusting creature he never wanted to be.

Tuesday, April 3, 2012

Frankenstein- Poor creature

"I had admired the perfect forms of my cottagers-- their grace, beauty, and delicate complexions: but how I was terrified, when I viewed myself in a transparent pool! At first I started back, unable to believe that it was indeed I who was reflected in the mirror; and when I became fully convinced that I was in reality the monster that I am, I was filled with the bitterest sensations of despondence and mortification. Alas! I did not yet entirely know the fatal effects of this miserable deformity." (page 80).

At this point, I began to sympathize with the creature. He is beginning to form an intelligence and understand different things. He also discovers what he looks like and understands why everyone is so terrified of him. To add to this, he is completely alone. His creator abandoned him, and now it is left to creepily watch a family and care for them. Regarding nature versus nurture as a theme, I believe that by nature, he is not inherently evil like Frankenstein assumes he is. The creature appears to be very kind and empathetic. I think that his lack of nurture will turn him into the monster he is personified as. 

Frankenstein- Characterization

"The blood flowed freely in my veins, but a weight of despair and remorse pressed on my heart which nothing could remove." page 61

To me as a reader, I regard Frankenstein as a complex character. At the beginning of the book, we meet him in a state in which he is near death. After obsessing over his creation for years, he finally finishes his work and is completely horrified with his creation. I found his reasoning for leaving really confusing. I understand that he was afraid, but that seems like a complete waste of 2 years to me. Also, the intense emotions that Victor feels when told of Williams death adds another dimension to his character.He begins to feel sorrow, grief, guilt, despair and so many other emotions. It seems as if he is experiencing every type of possible emotion. The most significant quality about Frankenstein that I have noticed is his impulsiveness. He acts impulsively when running from his creation and then when talking to his creation about how awful he is. I do not think that he really thinks through what he is doing in a lot of the situations in which he is presented. 

Frankenstein- Ability to reason

"'Listen to me, Frankenstein. You accuse me of murder, and yet you would, with a satisfied conscience, destroy your own creature. Oh, praise the eternal justice of man! Yet I ask you not to spare me: listen to me; and then, if you can, and if you will, destroy the work of your hands." page 69

It was at this point in the book that I began to see how intelligent the creature has become. The creature reasons with Victor about conscience and mankind. This is vastly different from the creature that we had been introduced to when Victor first created it. The baby-like creature who yearns for its creator has now transformed into an intelligent being. This was an extreme surprise to me. Originally I figured that the creature would continually behave in this babyish manner and not really develop any sense of intelligence, especially due to his abandonment. I do not think that Frankenstein thought that the creature would become intelligent and be able to reason and understand either. Another point in the first half of the book that has bothered me was the fact that Frankenstein never even spent time with the creature, but automatically knows that the creature killed William. I do not understand how Frankenstein can logically assume this because he has no true knowledge of what the creature is like.

Frankenstein- Irony

"Unable to endure the aspect of the being I had created, I rushed out of the room, and continued a long time traversing my bedchamber, unable to compose my mind to sleep." page 35

After spending such a long time devoted to creating this being, the time comes when the being comes to life. However, after Frankenstein creates the monster, he runs to his room to escape his creation. I was expecting Frankenstein to be pleased with his creation at first, but immediately, he knows he made a mistake. I initially assumed that he would be extremely interested as a scientist to examine and take note of what he created. Yet, to me as a reader, this scene really shows how little Frankenstein thought about what he was doing. He clearly hadn't thought the whole experiment out.To Frankenstein, the consequences of trying to create another being does not seem like it would create any true problems. However, to me, I do not see how he could not have thought through the possible consequences of this experiment. Situational irony is present at this specific point.

Frankenstein- Foreshadowing

"We perceived a low carriage, fixed on a sledge and drawn by dogs, pass on towards the north, at the distance of half a mile; a being which had the shape of a man, but apparently of gigantic stature, sat in the sledge and guided the dogs."

In one of the beginning letters, the author immediately draws a connection to the main point of the plot. Most importantly, this scene foreshadows the creation story that Victor recounts to Walton. A reader is able to make a connection between his appearance during the beginning to the point in which he is created. The reader wants to continue to read on to find out how this strange circumstance occurs. The reader also wants to find out who exactly the gigantic creature is. The little details provides the reader with enough information to spark curiosity.. Through the beginning foreshadowing, Mary Shelley establishes a main premise of the book and encourages the reader to be drawn in due to curiosity. Also, this is the first passage in which the creature is referred to as one of "gigantic stature" which helps to characterize the physical properties of the creature.

Tuesday, March 6, 2012

A Raisin in the Sun #3

"We don't want to make no trouble for nobody or fight no causes, and we will try to be good neighbors. And that's all we got to say about that. We don't want your money." 


Although not evident in the beginning scenes, I think that Walter could be considered the protagonist of the story. At the beginning of the story, Walter is completely focused on his dream of owning a liquor store and using Mama's insurance money. Walter believes that money will solve all of their families problems. However, later on in the play, Walter begins to listen to Mama and Ruth. Mama and Ruth desire to buy a house for their family as a whole. Once Walter sees this, he begins to understand that buying a house for the family is better than becoming rich off of his store. In doing so, he turns down the money that Mr. Linder offers the family. To me, this was the point in the play in which Walter changed and proved to be the protagonist of the story.

A Raisin in the Sun #2

Beneatha: "I mean it! I'm just tired of hearing about God all the time. What does He got to do with anything? Does he pay tuition."

Mama: "You 'bout to get your fresh little jaw slapped!"

One apparent difference that I noticed throughout the book was between Beneatha and Mama. Beneatha is a strong, independent woman focused on her dream to become a doctor. Money, family, and love does not stand in the way of her dreams. Also, she does not believe that God has played a role in how she got to where she is today. In contrast to this, Mama is strong in her belief in God. Mama shows empathy and love towards everyone in her family and acts according to that love. Beneatha has a dream and aspires to be someone and acts according to her aspirations. In this way, it makes it hard for Mama to understand Beneatha and her reasoning for things. I think that Mama and Beneatha could definitely be considered foil characters.

A Raisin in the Sun #1

"Been thinking that we maybe could meet the notes on a little old two-story somewhere, with a yard where Travis could play in the summertime, if we use part of the insurance for a down payment and everybody kind of pitch in." (page 44)

Every character in "A Raisin in the Sun" are different from each other. Most significantly, they are different in their dreams and desires. Walter dreams of becoming a successful businessman and owning a liquor store. Ruth and Mama only want a better life for their family and dream of owning a beautiful home.  Beaneatha has hopes of finishing medical school and becoming a doctor as an individualistic woman. In a similar way, many people today want these very same things; a house, a family, and education, a prosperous career. I think that Lorraine Hansberry did a really good job of making this play universal in this way. No matter what era, everyone still aspires to have happiness. Whether that is through a home, an education, family, or career, people are always working towards that happiness. In this way, it makes it easier for the audience to connect with the Younger family's dreams and aspirations.

Monday, February 27, 2012

The Glass Menagerie #3

Although there are many different dimensions to this play, I would consider it to be a tragedy in some ways. Amanda, Laura, and Tom all appear to be unhappy with something in their life. Their unhappiness contributes to the conflicts and difficulties that arise throughout the play. Starting with her husband's abandonment, Amanda parents her children in a way to avoid anything traced back to her husband. Tom is unhappy and has to support the family financially despite his hatred towards his work. Laura is held back by her disabilities in her life and cannot overcome her shyness. Tom is held back by his responsibilities to his family and job. As a whole, their lives are pretty pathetic and miserable, thus presenting the play in a very tragic manner.

The unicorn

6. What symbolized by the unicorn?

To me, I feel as if Laura relates to the unicorn. The unicorn is different from a regular horse with the horn sticking out from its head. Just like this, Laura feels different with her physical disability. In scene 7, Jim states, "Unicorns, aren't they extinct in the modern world?". Similar to this, Laura is not really present in the modern world. She prefers to be by herself and has made her own existence extinct in a way. Furthermore, when Jim calls Laura pretty, a new sense of self-worth and confidence is produced within her. Similar to this, the unicorn loses its horn and becomes just like a regular horse. Laura is similar to the glass unicorn in the sense that she has become something new and feels normal for once in her life. However, she has also lost a part of herself just as the unicorn's horn has been shattered. 

The Glass Menagerie

3. Identify the protagonist and antagonist. Are there any foil characters?

Although at times his character acts in peculiar ways, I think that Tom is the best fit for the protagonist in this story. Tom works for the family and helps out Amanda by finding a gentleman caller for Laura. Tom's role as the protagonist is made known through several moments throughout the story. For example, "For sixty-five dollars a month  I give up all that I dream of doing and being ever! And you say self- self's all I ever think of. Why, listen, if self is what I thought of, Mother I'd be where he is- GONE!". Tom gives up a lot in order to provide for his mom and sister. I think the antagonist is two people, Amanda and the father. Amanda drives Tom to not become his father and she pushes Laura to marry someone who is not like her father. Amanda wants her children to act in certain ways due to her own past experiences with her husband. In this way, the father plays a role as the antagonist as well. The only foil characters I can identify in the play are Laura and Amanda. While Amanda is demanding and an extrovert, Laura is very shy and quiet.

Thursday, February 16, 2012

As You Like It- #3

"Lay sleeping on his back: about his neck a green and gilded snake had wreathed itself, who with her head nimble in threats approach'd the opening of his mouth." (IV.iii.64)

As a comedy, there is less logic to the plot of the story. In Othello, Shakespeare purposely wrote things to develop the plot and characterize individuals such as Iago and Othello. However, in a comedy, things seem to be really unrealistic and for a completely different purpose. Things like Rosalind and Orlando constantly talking but Orlando not knowing it is Rosalind because she is dressed up like a man seem to be really unrealistic to a reader.  Of course Orlando should recognize the woman he is desperately in love with. Also, the snake and lion attacking Orlando out of the blue seem to have no real logic or point to them. However, it does keep the reader engaged and develop the comedic and satirical tone to the plot.

As You Like It- #2

"All the world's a stage, and all the men and women merely players: they have their exits and entrances; and one man in his time plays many parts, his acts being seven ages." (II.VII.32)

The passage that Jaques states about all the world is a stage is a major metaphor that relates to one of the themes of the play. The world is the stage and all humans are the actors throughout life. Every person goes through life playing different parts and questions life and why they played certain parts and not others. It relates to the theme of the play being following your heart. Orlando, Rosalind, Audrey, Touchstone, and so many other characters used their heart to pursue what they truly wanted. Just as one follows their heart, they play different parts and go through different phases to reach a certain point. I also find this passage easy to relate to world today. People go through different phases in life to reach the person who they want to be or who they feel they are supposed to be in the world; ultimately following their heart.

As You Like It- #1

Although the play as a whole wasn't all that intriguing, I felt like the title was a very accurate description of what Shakespeare intended the play to be. I feel as if Shakespeare literally meant that you can analyze the play just as you like it. There are several different aspects of the play. The romance between all of the characters. "Look here comes a lover of mine and a lover of hers." (V.II.70) There is romance between several different characters in the play. For someone, this may be the main theme of the play. Another theme may be the simplicity of nature and the forest. "Are not these woods more free from peril that the envious court." (II.i.17) As you like it or to each his own, Shakespeare left it up to the reader to decide what to get out of the play. Rather than having an explicit point, there were several for the reader to decipher on his own.

Monday, February 13, 2012

Reflective Essay

The play Othello by William Shakespeare is a perfect example of a timeless piece of literature. The themes, characters, and motives in the play are all concepts present throughout historical and modern day fiction, nonfiction, and entertainment. As the play Othello justifies, showing love can often require courage. Othello and Desdemona both had to overcome stereotypes and disapproval to show their love. Similarly, the movie Titanic has two main characters that must surmount many obstacles due to their different social backgrounds to express their love. This theme is also prevalent in Shakespeare’s infamous tragedy of Romeo and Juliet.



Othello and Desdemona= ♥



Shakespeare uses the characters Othello and Desdemona to exemplify the concept of forbidden love. Desdemona, the daughter of a Venetian soldier, and Othello, a black Moor, rise above many social difficulties to marry each other. Desdemona hides her love from her father Brabantio because she knows he would not understand or permit this relationship. In fact, when Brabantio discovers his daughter’s marriage he assumes that Othello “practiced on her with foul charms” and “abused her delicate youth with drugs or minerals” (I.ii.75-76). However, due to their secretive relationship, Othello and Desdemona are able to listen to each other and fall in love without interference and objections from Brabantio. Negatively, Desdemona’s father feels betrayed when he learns of their love. Desdemona must go against her father’s wishes and ultimately deal with the fact that he does not approve. In turn, Brabantio warns Othello “she has deceived her father, and may thee.” (I.iii.289). Later, this increases Othello’s suspicions of Desdemona’s unfaithfulness. Nevertheless, Othello and Desdemona illustrate the theme of courageous love despite the tribulations that later unfold.

Romeo and Juliet (a film adaptation of
Shakspeare's play)
Although the plot was very different from Othello, Shakespeare’s play Romeo and Juliet shares the same premise of forbidden, courageous love. Due to the fact that Romeo and Juliet come from feuding families, interaction, friendship, and especially love with one another is not allowed. However, Romeo and Juliet fall in love at first sight. Romeo and Juliet’s love for each other causes them to go against their families wishes in order to be together. Yet, the threat of the Prince killing both Capulet and Montague if another fight breaks out keeps Romeo and Juliet from publicizing their love. Similar to Desdemona’s father, Juliet’s father completely rejects her love for Romeo and desire to marry him. Capulet states “Hang thee, young baggage! Disobedient wretch! I tell thee what: get thee to church o' Thursday, Or never after look me in the face. Speak not. Reply not. Do not answer me.” (III.V.160-164). Juliet shows courage when she tells her father whom she wants to marry. Despite the fact that her father entirely disregards her plead; she still remains faithful to her love for Romeo. Romeo and Juliet’s love for each other remains courageous when they both commit suicide based on the conviction that the other is dead (V.iii.129-131; 182-184). Romeo and Juliet would rather die than live without each other. The lover’s ultimate fate is determined by their courage in dying to prove their love and loyalty to each other



Similar to both Shakespeare plays, the film Titanic tells a brave love story between the characters Rose and Jack. Due to their different social classes, Rose and Jack are not allowed to talk to each other, let alone date. In hiding their love, Rose and Jack learn about one another. For Rose, she is able to be herself and not act pompous or fake. Jack is able to be the gentleman upper class men would not expect him to be. Due to their monetary differences, Rose and Jack are forced to be secretive about their meetings. Compared to other men, Jack feels as if he is not good enough for Rose or her family. Later on, when Rose’s ex-fiancĂ© finds out about their love, Jack is arrested while the Titanic is sinking. Rose saves Jack and gives up her saved spot to board a lifeboat. In order to stay with Jack, Rose risks the possibility of death. Jack and Rose’s relationship is defined by courage in the midst of panic and devastation.



Jack and Rose in the water after the Titanic ship has sunk.
They promise to "never let go"
Although Shakespeare’s play Othello was written in the 17th century, it contains themes and characters that prove to be universal. Certain concepts that pertain to love, jealousy, deceit, and stereotypes are just as relevant today as they were hundreds of years ago. These concepts can be applied to many works of fiction or nonfiction as well as various types of entertainment today. Even though society tends to change, Shakespeare’s themes still remain familiar and timeless.


Works Cited


Perrine, Laurence. “Othello.” Perrine’s Literature: Structure, Sound, and Sense. Forth Worth.
Harcourt College. 2002. 161-462. Print.

Crowther, John, ed. “No Fear Romeo and Juliet.” SparkNotes.com. SparkNotes LLC. 2005. Web. 13 Feb. 2012.

Titanic. Dir. James Cameron. Perf. Leonardo DiCaprio, Kate Winslet, Gloria Stuart, Billy Zane. Paramount Pictures, 1997. DVD.

Monday, February 6, 2012

Stay

In Othello, Iago continually feeds information to Othello informing him of Desdemona's "unfaithfulness". However, because Iago is lying about Desdemona's affair with Cassio, Desdemona has no idea what is going on with her husband. Othello is visibly angry with Desdemona and he is acting completely different, for a reason unknown to her. The lack of communication and rage associated with Othello's jealousy feeds all of these emotions. In the song "Stay", by Safetysuit, the singer says,
"Cause something must have made you say that. What did I do to make you say that to me. Something must have made you so mad, what can I do to make you come back to me?" 
These lyrics perfectly describe how Desdemona feels about this entire situation. Desdemona is completely left out of the loop regarding what her husband is feeling and thinking. She has no idea what happened, but she wants Othello to talk to her. Eventually, due to the severe lack of communication, Desdemona is murdered for something she didn't even do.


Thursday, February 2, 2012

I don't like Iago

Although Iago is very cunning and smart in deceiving every single character in this play, his character is so awful.  In Act II, Iago describes the different types of women and what his "perfect woman" would be. To Iago, a woman who nurses babies and does kitchen work is the perfect woman. As a girl, obviously I think that is just so annoying. He's like all of those men who tell their wives to "go make them a sandwich". We are capable of much more than that! Even though I understand Shakespearean times were very different, I still find Iago annoying in this regard. Then, he stabs own wife because she was an actual decent human being who revealed all of the terrible things Iago did. Even Emilia doesn't believe that Iago lied and deceived so many people. Emilia continually says "My husband?" (V.i. 139). I do give Iago props for his intelligence in devising a plan and almost not being revealed. In that regards, what he did was pretty impressive. But, I still don't like his character.

Othello & Shakespeare's reasoning.

What amount of time is covered in the action? How much of the action is presented as a report rather than dramatized on stage? Is there a meaning behind the selection of events to be dramatized and those to be reported?

After Othello leaves for Cyprus there is only a few days in between the time that nearly everyone is killed. Although the play is long, the time span of the actual events is pretty short. Also, almost everything in the play is dramatized rather than reported, with the exception of the storm at sea and bedroom scenes between Othello and Desdemona. I believe that they simply reported these incidents because reenacting these events would have been difficult to carry out. Also, reenacting Othello and Desdemona in bed would probably have been considered a tad bit inappropriate. I also think that Shakespeare left a lot of the details up to the audience to imagine and interpret for themselves. I think that Shakespeare wrote his plays so that they could be properly acted out on stage so the audience could enjoy the play.

Storm at Sea-
"Nothing at all. It is a high wrought flood. I cannot 'twixt the heaven and the rain descry a sail. (II.i. 2-3)

Invasion of the Turks-
"The Turkish preparation makes for Rhodes. So I was bid report here to the state." (I.ii.14-15)
"The importancy of Cyprus to the Turk, and let ourselves again but understand that as it more concerns the Turk than Rhodes." (I.ii.20-23)

Desdemona and Othello-
"Come, Desdemona, I have but an hour of love, of worldy matters and direction, to spend with thee. we must obey the time." (I.iii.295-297)

Jealousy- Othello

What themes does the play present? To what extent do the thematic materials of the play have an effect on the dramatic experience?

One theme I previously mentioned was hate. In acts IV an V a new theme seems to be more prevalent: jealousy.  The jealousy is the root cause for the death and downfall of Othello and Iago. Iago acts on this weakness, creating several lies that will ultimately lead to Othello's, Roderigo's, and even his own misfortune. Iago encourages Roderigo's jealousy of Othello's marriage in order to get him to erase Cassio from the picture. Because Roderigo is so in love with Desdemona, he is willing to do anything. By the end of Act IV, Iago had easily convinced Roderigo to kill Cassio so that Desdemona would remain in Cyprus.With Othello, Iago carefully explained and "proved" that Desdemona was cheating on him and then allowed his jealous rage to take over his everything in his life. Othello, who was originally described as calm and collected, transformed into a jealous monster. He began to mistreat Desdemona, even going as far as to hit her while she remained honest and confused as to why Othello was acting so strange. Othello, overtaken by jealousy willfully wants to kill his wife. "Get me some poison, Iago, this night."(IV.i.188) Iago acts out of his own jealousy to destroy others. First, he was jealous of Cassio for the fact he was named lieutenant, and then later he states there is a rumor that Othello had slept with his wife. Determined to seek revenge, Iago's jealous nature is what causes the plot to advance. The true actions of jealousy are carried out in acts IV and V.

Thursday, January 26, 2012

Othello

Throughout all three acts so far it is very apparent how Iago feels towards Othello, Cassio, and his other companions. Yet, Shakespeare never mentions how the others really feel about Iago. It is hinted that Iago is respected and regarded as "honest", but aside from this there are no other personal reactions towards him. The mystery about Iago and his manipulations definitely creates suspense throughout the plot. The audience is constantly questioning what Iago will do next. I think Shakespeare may be trying to create the idea that nobody has any idea about Iago and his plans. Iago seems a bit unsure at times as well. Regarding his wife and whether or not Othello slept with her, he bases everything off of mere suspicion. "But I for mere suspicion in that kind will do as if for surety." (I.iii.369-370) Iago doesn't even seem to have proof or motive for why he does everything in such an extreme way.

Othello, Act II

Is the play a tragedy or comedy, a melodrama or a farce?

I think that Othello is a tragedy. This becomes evident in the play when Iago reveals his true intentions to ruin Othello's marriage and get rid of Cassio (II.i.265-291). Iago's manipulation of Othello throughout the play creates the proper feeling for a tragedy and provides a means for tragedy to occur.  Knowing that the play is a tragedy puts Iago's and Othello's actions into a different context. Iago's personality and demeanor revealed through certain situations make it evident that he is not sympathetic or worried about anyone but himself. It seems that Iago's personality in itself makes a tragedy very much in sight. The first three acts characterize Iago as a deceitful, lying, selfish man. In turn, something happening, specifically involving Cassio, Othello or Desdemona seems very inevitable with Iago's constant manipulation with every character.

Othello, Act I

What themes does the play present?

The theme that hatred is often based on preconceived notions is prevalent in the first act of "Othello". In the very first act, Iago has an important soliloquy in which he discusses how he "hates the Moor". Iago states "But for my sport and profit. I hate the Moor. And it is though abroad that 'twixt my sheets. He's done my office. I know not if't be true, but I for mere suspicion in that kind will do as if for surety." (I.iii.336-370) The hatred towards Othello is caused by "mere suspicion" that Othello slept with Iago's wife. In this way, we are able to see the character that Shakespeare made Iago to be. Iago, though often referred to as honest and loyal, is very motivated by selfishness and greed. Othello, who has a better position than Iago, may have slept with Iago's wife, which makes Iago even more envious of Othello. It seems to me that Iago's hatred is caused by envy or jealousy. Iago's hatred of the Moor carries onto the other acts in the play and seems to serve as the premise as to why Iago behaves the way that he does.